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The Incredibles 2 (PG)

Everyone's favorite family of superheroes is back in "Incredibles 2"--but this time Helen (voice of Holly Hunter) is in the spotlight, leaving Bob (voice of Craig T. Nelson) at home with Violet (voice of Sarah Vowell) and Dash (voice of Huck Milner) to navigate the day-to-day heroics of "normal" life.

It's a tough transistion for everyone, made tougher by the fact that the family is still unaware of baby Jack-Jack's emerging superpowers.

When a new villain hatches a brilliant and dangerous plot, the family and Frozone (voice of Samuel L. Jackson) must find a way to work together again--which is easier said than done, even when they're all Incredible.

Book Tickets

Friday 20 Jul 20185:25pm8:00pm
Saturday 21 Jul 201812:15pm2:50pm5:25pm8:00pm
Sunday 22 Jul 201812:00pm2:35pm5:10pm7:45pm
Monday 23 Jul 20182:50pm5:25pm8:00pm
Tuesday 24 Jul 20182:50pm5:25pm8:00pm
Wednesday 25 Jul 20182:50pm5:25pm8:00pm
Thursday 26 Jul 201812:15pm2:00pm
Friday 27 Jul 20184:55pm (Not Open for Sale)
Saturday 28 Jul 20181:55pm (Not Open for Sale)
Sunday 29 Jul 201812:45pm (Not Open for Sale)

Mamma Mia: Here we go again (12A)

10 years after Mamma Mia! and Sophie (Amanda Seyfried) is back on the sun-drenched Greek island of Kalokairi, however, her circumstances are a little different this time. Now pregnant, Sophie is struggling to find the knowledge and strength to move on to the most important chapter in her life.

Searching for inspiration, she retraces her mother Donna’s (Meryl Streep) steps from the past in the hope of finding the courage to be the best mum she can be. We then flashback in time to a young Donna (Lily James) back in 1979, who is enjoying the prime time of her life, singing in a band and dating a familiar trio of gentleman, named Sam (Jeremy Irvine), Harry (Hugh Skinner) and Bill (Josh Dylan).

Back in the present day, Sophie is wondering if she is about to discover which of her three possible fathers is the real deal, when an uninvited guest arrives in the shape of Grandma Ruby (Cher).

Ol Parker directs the all-star cast, which includes Amanda Seyfried (Les Miserables), Christine Baranski (Chicago), Pierce Brosnan (The Foreigner), Julie Walters (Mary Poppins Returns) and Colin Firth (Bridget Jones’s Baby). Lily James (Baby Driver) is new to the scene alongside pop icon Cher (Burlesque).

Mamma Mia! Here We Go Again is anticipated to be one of the biggest films this summer and is backed by some of ABBA’s best loved hits.

Book Tickets

Friday 20 Jul 20186:10pm8:45pm
Saturday 21 Jul 201812:45pm3:30pm6:10pm8:45pm
Sunday 22 Jul 201812:15pm2:50pm (Subtitled)5:25pm8:00pm
Monday 23 Jul 20183:30pm6:10pm8:45pm
Tuesday 24 Jul 20183:30pm6:10pm8:45pm
Wednesday 25 Jul 20183:30pm6:10pm8:45pm
Thursday 26 Jul 20184:35pm (Subtitled)7:00pm9:30pm
Friday 27 Jul 20183:50pm (Not Open for Sale)6:30pm (Not Open for Sale)9:00pm (Not Open for Sale)

Glyndebourne: Saul (12A)

George Frideric Handel

Saul ​(Recorded live at Glyndebourne in 2015)

David has vanquished the giant Goliath, but not everyone rejoices in his victory. Jealous of the young warrior, King Saul turns against him, descending into violent, destructive madness

that forces his children to choose between loyalty and love, tearing both a family and a nation apart.

Handel’s vision of a Lear-like king is astonishing in its psychological complexity, offering a musical portrait of mental collapse few have since matched. Combined with thrilling

choruses that exploit the virtuosic potential of their singers, exquisite arias and bold orchestration filled with unusual instruments, it creates a Biblical drama of truly

Shakespearean scope.

Barrie Kosky’s blazingly original and visually spectacular staging of Handel’s oratorio pairs baroque music with contemporary choreography and lavish designs to create an enthralling theatrical fusion of old and new.

This magical, mesmerising new production of [Handel’s] Old Testament-inspired oratorio has the wow factor in spades – music-theatre at its knockout best.’ ★★★★★ Daily Mail

Sung in English with English subtitles. Recorded live at Glyndebourne in 2015.

Also on screen this summer: the world-renowned tale of Puccini’s heartbreaking Madama Butterfly (live) and the rare opportunity to see Samuel Barber’s Pulitzer prize-winning opera from the age of Hitchcock, Vanessa.

Creative team:

Conductor​ Laurence Cummings

Director​ Barrie Kosky

Designer ​Katrin Lea Tag

Cast includes:

Saul/Apparition of Samuel ​Markus Brück

David ​Iestyn Davies

Jonathan​ Allan Clayton

Orchestra of the Age of Enlightenment

The Glyndebourne Chorus

Book Tickets

Thursday 26 Jul 20183:00pm (RECORDED)

Edinburgh Previews: John Luke Roberts & Mark Watson (15)

Mark Watson and Impatient Productions present the best of the Edinburgh Fringe comedians.  See these preview shows before they are all shiny and polished and taken up to the Edinburgh Fringe Festival this August. It's the best opportunity to see how jokes are born and stars are made.  Your ticket buys you not one, but two full shows from an incredible hand-picked selection of the nations best comedians.

Doors 7.30pm. Show starts 8pm.

NB. The order the shows below are listed are not necessarily the order they will be performed in on the night.

Please note latecomers may not be admitted.


Quick, hide! The Fringe favourite returns with a brand-new hour of extraordinary absurdist character comedy nonsense. Just terrific. Blam blam! 'A show as bafflingly stupid as this should rightly divide an audience down the middle, but through some strange alchemy the crowd absolutely lap it up... a consistently hilarious hour of measured madness' **** (List).

'An hour of joyously daft character comedy' **** (Telegraph).

'This is alternative comedy close to its pinnacle' **** (



Our own Wangabout host Mark Watson brings his Edinburgh preview to his native Crouch End.

Cluster-bombed with yoghurt on Taskmaster, half-killed on The Island, Watson returns to what he's best at: being indoors. This show began as a work-in-progress in Edinburgh last year and now makes its official premiere. It's about empathy. Ninety-nine percent of the world's population is made up of other people – why can't we understand them? One of the Fringe's most beloved and thinnest acts offers some suggestions. Complete sell-out 2014-2017. 'He sparkles with originality and verve' ( 'Arrive early for the longest queue in Edinburgh' (List). 'Hugely entertaining, craftsmanlike, remarkable' (Telegraph).


Line-ups subject to change

Book Tickets

Thursday 26 Jul 20187:25pm (LIVE COMEDY)

Apostasy (PG)

Written and directed by Daniel Kokotajlo, a former Jehovah's Witness, 'Apostasy' is a remarkable and authentic debut film that provides rare insight into the complex nature of faith, family, duty and love.

Book Tickets

Friday 27 Jul 20186:35am (Not Open for Sale)7:20pm (Not Open for Sale)9:30pm (Not Open for Sale)
Saturday 28 Jul 201811:45am (Not Open for Sale)8:30pm (Not Open for Sale)
Sunday 29 Jul 20186:30pm (Not Open for Sale)8:45pm (Not Open for Sale)

Tracking Edith (PG)

When she wasn’t working as a Soviet agent, she was taking photos of Vienna’s and London’s workers and street children, of poverty and social deprivation.

Being a secret agent doesn’t seem to have come naturally to the photographer Edith Tudor-Hart (born Edith Suschitzky in 1908, in Vienna, died 1973 in Brighton).

She recruited Kim Philby, and was one of the architects of the Cambridge Five, the Soviet Union’s most successful spy ring in Great Britain..

A documentary about the renowned photographer, about a spy with a conscience and hidden secrets in a family.

"I watched this compelling film with fascination. An amazing quest – and very timely." Michael Haneke

WE WILL BE JOINED FOR AN AFTER SCREENING Q&A with director Peter Stephan Jungk, Nigel West military historian and producer Lillian Birnbaum.

BONUS -  Hampstead Spies Walk on Sun 29th at 10.30am

Book Tickets

Friday 27 Jul 20182:45pm (Not Open for Sale)
Sunday 29 Jul 20183:30pm (Q&A)

The Black Power Mixtape 1967-1975 (15)

Double Bill

Part of the season: Uprising! Spirit of ’68

Uprising is a UK-wide programme of screenings and events taking place from June-October 2018 exploring the cinema and the legacy of 1968, joining the dots between that period and our own turbulent times.

BLACK PANTHERS -1968, 31mins.

Agnès Varda turns her camera on an Oakland demonstration against the imprisonment of activist and Black Panthers cofounder Huey P. Newton. In addition to evincing Varda’s fascination with her adopted surroundings and her empathy, this perceptive short is also a powerful political statement.

THE BLACK POWER MIXTAPE 1967-1975 -2011, 80mins.

A treasure trove of 16mm material shot by Swedish journalists who came to the US drawn by stories of urban unrest and revolution. Gaining access to many of the leaders of the Black Power Movement Stokely Carmichael, Bobby Seale, Angela Davis and Eldridge Cleaver among them the filmmakers captured them in intimate moments and remarkably unguarded interviews. Thirty years later, this lush collection was found languishing in the basement of Swedish Television.

Book Tickets

Saturday 28 Jul 20184:30pm (Double Bill)

Q&A (Unrated)

Book Tickets

Sunday 29 Jul 20185:30pm (Not Open for Sale)

A Sicilian Ghost Story (TBC)

Set in a little Sicilian village at the edge of a forest, this is the story of adolescent innocence and painful reality. Giuseppe (Fernandez) is the son of a man with mafia connections who has turned informer. One day, this 13 year-old boy vanishes, kidnapped by those his father crossed. Luna (Jedlikowska), his classmate who loves him, refuses to accept his mysterious disappearance. She and her friend Loredana (Corinne Musallari) petition the townsfolk to find him but to no avail. Rebelling against the code of silence and collusion that surrounds her, Luna refuses to give up her search, desperate to find the boy she so bashfully loves.

Book Tickets

Friday 3 Aug 20187:00am (Not Open for Sale)

In The Intense Now

Part of the season: Uprising! Spirit of ’68

Uprising is a UK-wide programme of screenings and events taking place from June-October 2018 exploring the cinema and the legacy of 1968, joining the dots between that period and our own turbulent times.

Made following the discovery of amateur footage shot in China in 1966 during the first and most radical stage of the Cultural Revolution, IN THE INTENSE NOW speaks to the fleeting nature of moments of great intensity. Scenes of China are set alongside archival images of the events of 1968 in France, Czechoslovakia, and, to a lesser extent, Brazil. In keeping with the tradition of the film-essay, they serve to investigate how the people who took part in those events continued onward after passions had cooled. The footage, all of it archival, not only reveals the state of mind of those filmed—joy, enchantment, fear, disappointment, dismay—but also sheds light on the relationship between a document and its political context. What can one say of Paris, Prague, Rio de Janeiro, or Beijing by looking at the images of the period? Why did each of these cities produce a specific sort of record?

Narrated in first person, the film reflects on that which is revealed by four sets of images: footage of the French students' uprising in May of 1968; the images captured by amateurs during the invasion of Czechoslovakia in August of the same year, when forces led by the Soviet Union put an end to the Prague Spring; shots of the funerals of students, workers, and police officers killed during the events of 1968 in the cities of Paris, Lyon, Prague, and Rio de Janeiro; and the scenes that a tourist—the director's mother—filmed in China in 1966, the year of the Great Proletarian Cultural Revolution.

"Find solace, enlightenment and surprise in João Moreira Salles’s 'In the Intense Now,' a bittersweet, ruminative documentary essay."

A. O. Scott, The New York Times

"Melancholy, inspiring and evocative."

J. Hoberman, The New York Review of Books

"One of the 10 best films of Berlin Film Festival! Remarkably resonant and personal."

Owen Gleiberman, Variety

"A rich, immersive contemplation of the emotional battery life of revolutions, Brazilian filmmaker João Moreira Salles' remarkable, deeply felt essay film 'In the Intense Now' examines 1968's turbulence in four countries through the prism of what its amateur documentarians filmed."

Robert Abele, Los Angeles Times

Book Tickets

Saturday 4 Aug 20183:00pm

The Producers: 50th Anniversary Restoration (PG)

Mel Brooks’ outrageous comedy classic THE PRODUCERS will be returning to cinemas nationwide for one day only on August 5th 2018 following a glorious 4K restoration to mark the film’s 50th anniversary. The Oscar-winning feature will also include a very special Mel Brooks introduction from Turner Classic Movies.

Book Tickets

Sunday 5 Aug 20183:40pm

Studio Workshop

Arthouse Studio  - Invites all teenagers to join our new innovative arts & performing arts Summer Workshops.

No experience necessary – Each workshop has a specific focus on a skill or theme – Directing, Acting, Storyline, Storyboards... Endless possibilities!

This is a 3 week course, running Mon-Fri,  (10am - 3.30pm) starts Monday 6TH August.

Mon - Fri  August  6th   -  10th

Mon - Fri  August  13th -  17th   

Mon - Fri  August  20th -  24th 

Mon - Fri August 27th - 31st

£100 per week.

Part-time membership and sibling discount is available.

Book Tickets

Mon 6th-Fri 10th Aug. 10:00am-3:30pm10:00am ( )
Mon 13th-Fri 17th Aug. 10:00am-3:30pm10:00am
Mon 20th-Fri 26th Aug. 10:00am-3:30pm10:00am
Mon 27th-Fri 31st Aug. 10:30am-3:30pm10:00am

ROH LIVE: Swan lake (2018) (12A)

Swan Lake has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with additional choreography by Artist in Residence Liam Scarlett. While remaining faithful to the Petipa-Ivanov text, Scarlett will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane.

Prince Siegfried chances upon a flock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night.

Swan Lake was Tchaikovsky’s first ballet score. Given its status today as arguably the best loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky’s score, but also by the striking choreographic contrasts between Petipa’s royal palace scenes and the lyric lakeside scenes created by Ivanov.

Choreography by Liam Scarlett after Marius Petipa and Lev Ivanov

Music by Pyotr Il’yich Tchaikovsky

Book Tickets

Tuesday 7 Aug 20187:00pm (ENCORE)

The Heiresses (TBC)

Chela and Chiquita, both descended from wealthy families in Asunción, Paraguay, have been together for over 30 years. But recently their financial situation has worsened and they begin selling off their inherited possessions. But when their debts lead to Chiquita being imprisoned on fraud charges, Chela is forced to face a new reality.

Driving for the first time in years, she begins to provide a local taxi service to a group of elderly wealthy ladies.

As Chela settles into her new life, she encounters the much younger Angy, forging a fresh and invigorating new connection. Chela finally begins to break out of her shell and engage with the world, embarking on her own personal, intimate revolution.

Book Tickets

Friday 10 Aug 20186:50am (Not Open for Sale)

Leaning Into The Wind: Andy Goldsworthy (PG)

LEANING INTO THE WIND is a vibrant journey through the diverse layers of Andy Goldsworthy's world.

From urban Edinburgh and London to the South of France and New England, each environment he encounters becomes a fresh kaleidoscopic canvas for his art.

A lushly-visualized travelogue, Goldsworthy's work and Thomas Riedelsheimer's exquisite cinematography redefine landscape and inextricably tie human life to the natural world.

Book Tickets

Friday 10 Aug 20187:00am (Not Open for Sale)

Heathers (18)

HEATHERS 30th Anniversary Restoration.

In order to get out of the snobby clique that is destroying her good-girl reputation, intelligent teen Veronica (Winona Ryder) teams up with a dark sociopath, J.D. (Christian Slater) in a plot to kill the cool kids in what is one of the decade’s defining cult classics of 1980s cinema.

Veronica is part of the most popular clique at her high school, but she disapproves of the other girls' cruel behaviour. When Veronica and her new boyfriend, J.D. confront clique leader Heather Chandler (Kim Walker) and accidentally poison her, they make it appear a suicide. Soon Veronica realizes that J.D. is intentionally killing students he does not like. She races to stop J.D. while also clashing with the clique's new leader, Heather Duke (Shannen Doherty).

Book Tickets

Sunday 12 Aug 20185:40pm
Wednesday 15 Aug 20189:00pm

Ian Shaw's Summer Madness

BBC Award winning jazz singer and comic, Shaw returns to his favourite North London venue - to praise and curse, in music and words, the season of summer, looking back at first loves, last laughs and plundering some of the greatest bitter-sweet life and love songs ever written. Early booking advised.

"An evening with Ian Shaw is a must. Shovel -loads of swing, soul and sadness and equally planted, hilarious reflections of life on the road. Don't miss this" - The Independent

Book Tickets

Sunday 12 Aug 20188:00pm (LIVE MUSIC)

Glyndebourne: Vanessa (12A)

Samuel Barber

Vanessa ​(live from Glyndebourne)

A rare opportunity to see Barber’s Pulitzer Prize-winning work – opera from the age of Hitchcock, with an atmospheric score and tense, psychological twists. Abandoned by her lover Anatol, Vanessa retreats from the world, waiting and hoping with only her mother and her niece Erika for company. But when, 20 years later, Anatol’s handsome young son arrives unexpectedly, he shatters the calm of this shuttered household

of women. Past and present love collides, and the aftershocks threaten to destroy them all.

An operatic thriller from the age of Hitchcock, Samuel Barber’s Pulitzer Prize-winning first opera boasts one of the 20th century’s most beautiful scores. Poised constantly on the edge of song, Vanessa unfolds in generous swathes of melody, rich in filmic strings and soaring brass, with echoes of Puccini, Berg and Strauss. It climaxes in a final quintet of Mozartean

poignancy – one of the great ensembles of the contemporary repertoire.

Seldom performed in the UK, this is a rare opportunity to see Barber’s heart-breaking domestic drama. Olivier Award-winning director Keith Warner makes his much-anticipated

Glyndebourne debut with this production, which promises to bring out the psychological tensions that sit just below the surface of this charged work.

Sung in English with English subtitles. Broadcast live from Glyndebourne.

Creative team:

Conductor​ Jakub Hrůša

Director​ Keith Warner

Designer ​Ashley Martin-Davis

Cast includes:

Vanessa​ Emma Bell

Erika​ Virginie Verrez

The Old Baroness​ Doris Soffel

London Philharmonic Orchestra

The Glyndebourne Chorus

Book Tickets

Tuesday 14 Aug 20186:30pm (LIVE VIA SATELLITE)

The Guardians (15)

An affecting human drama of love, loss, and resilience unfolds against the backdrop of World War I. The women of the Paridier farm, under the deft hand of Hortense, the family's matriarch (Nathalie Baye,) must grapple with the workload while the men, including two sons, are off at the front.

Hortense reluctantly brings on an outsider, the hard-scrabble teenage orphan, Francine (Iris Bry), to help her daughter Solange (Laura Smet). New tools allow the women to triumph over the land, newfound independence is acquired, yet emotions are stirred especially when the men return from the front on short leaves.

Acclaimed filmmaker Xavier Beauvois (Of Gods and Men) revels in the mysteries and beauties of the French countryside, here unravaged by war, with painterly images bathed in natural light, yet keeps his focus on the intricate drama that plays out against the upheaval of the Great War.

Book Tickets

Friday 17 Aug 20187:00am (Not Open for Sale)

The Children Act (12A)

As her marriage to Jack (Stanley Tucci) flounders, eminent High Court judge Fiona Maye (Emma Thompson) has a life-changing decision to make at work - should she force a teenage boy, Adam (Fionn Whitehead), to have the blood transfusion that will save his life? Her unorthodox visit to his hospital bedside has a profound impact on them both, stirring strong new emotions in the boy and long-buried feelings in her.

Book Tickets

Friday 24 Aug 20186:50am (Not Open for Sale)

BlacKkKlansman (15)

From visionary filmmaker Spike Lee comes the incredible true story of an American hero.

It’s the early 1970s, a time of great social upheaval as the struggle for civil rights rages on. Ron Stallworth (John David Washington) becomes the first African-American detective on the Colorado Springs Police Department, but his arrival is greeted with skepticism and open hostility by the department’s rank and file. Undaunted, Stallworth resolves to make a name for himself and a difference in his community. He bravely sets out on a dangerous mission: infiltrate and expose the Ku Klux Klan.

Posing as a racist extremist, Stallworth contacts the group and soon finds himself invited into its inner circle. He even cultivates a relationship with the Klan’s Grand Wizard, David Duke (Topher Grace), who praises Ron’s commitment to the advancement of White America. With the undercover investigation growing ever more complex, Stallworth’s colleague, Flip Zimmerman (Adam Driver), poses as Ron in face-to-face meetings with members of hate group, gaining insider’s knowledge of a deadly plot. Together, Stallworth and Zimmerman team up to take down the organization whose real aim is to sanitize its violent rhetoric to appeal to the mainstream.

Book Tickets

Friday 24 Aug 20189:05am (Not Open for Sale)

RSC Live: The Merry Wives... (12A)

RSC Live: The Merry Wives of Windsor

Down on his luck in the suburbs, John Falstaff plans to hustle his way to a comfortable retirement by seducing the wives of two wealthy men.

Unknown to him, it’s the women of Windsor who really pull the strings, orchestrating Falstaff’s comeuppance amidst a theatrical smorgasbord of petty rivalries, jealousies and over-inflated egos.

For a fat Englishman, a Welshman and a Frenchman, the only way is Windsor…

Book Tickets

Wednesday 12 Sep 20187:00pm (LIVE VIA SATELLITE)

NT Live: King Lear (12A)

Shakespeare’s tender, violent, moving and shocking play, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them. This screening of Chichester Festival Theatre’s 2017 production stars Ian McKellen in the role of Lear, his intimate, intricate and conversational performance hailed as a triumph. The play received five-star reviews for its sell-out run and afterwards transferred to the West End for 100 performances only. This contemporary retelling of the great tragedy is directed by Jonathan Munby. Also starring are Sinéad Cusack as Kent and Kirsty Bushell as Regan. Not to be missed.

Book Tickets

Thursday 27 Sep 20187:30pm (LIVE VIA SATELLITE)

Oscar Wilde Season Live: The Importance Of Being Earnest (12A)

A new production of one of the funniest plays in English, Oscar Wilde’s The Importance of Being Earnest, will be broadcast live to cinemas from the Vaudeville Theatre in London’s West End. Wilde’s much-loved masterpiece throws love, logic and language into the air to make one of theatre’s most dazzling firework displays.

Jack, Algy, Gwendolyn and Cecily discover how unsmooth runs the course of true love, while Lady Bracknell keeps a baleful eye on the mayhem of manners. This is the fourth and final play from the Oscar Wilde Season, a year-long celebration of the brilliant Victorian playwright being staged by the Classic Spring Theatre Company.

Book Tickets

Tuesday 9 Oct 20187:15pm (LIVE VIA SATELLITE)

ROH Live: La Bayadere (12A)

Natalia Makarova's production of this 19th century classic ballet brings an exotic world of temple dancers and noble warriors to life.

Marius Petipa’s fantasy, set in legendary India, tells the tale of a temple dancer and the prince who loves her but marries another. The famous, moonlit ‘white act’ – The Kingdom of the Shades – is a corps de ballet highlight, as multiple images of the prince’s lost love haunt his mind. The choreography allows two opposing ballerinas to shine, while a bronze idol comes vividly to life in a stunning solo. Throughout, the melody and moods of Minkus’s music perfectly match the fluidity and precision of the classical choreography and the drama of the storytelling.

Running Time: 3Hours 5mins!

Book Tickets

Tuesday 13 Nov 20187:20pm (LIVE VIA SATELLITE)

NT Live: The Madness Of George III (12A)

Written by one of Britain’s best-loved playwrights Alan Bennett (The History Boys, The Lady in the Van), this epic play was also adapted into a BAFTA Award-winning film following its premiere on stage in 1991.

The cast of this new production includes Olivier Award-winners Mark Gatiss (Sherlock, Wolf Hall, NT Live Coriolanus) in the title role, and Adrian Scarborough (Gavin and Stacey, Upstairs Downstairs, After the Dance).

It’s 1786 and King George III is the most powerful man in the world. But his behaviour is becoming increasingly erratic as he succumbs to fits of lunacy. With the King’s mind unravelling at a dramatic pace, ambitious politicians and the scheming Prince of Wales threaten to undermine the power of the Crown, and expose the fine line between a King and a man.

Book Tickets

Tuesday 20 Nov 20187:00pm (LIVE VIA SATELLITE)

ROH Live: The Nutcracker 2018

A Christmas treat for the whole family and a classic with a special place in the hearts of ballet fans around the world.

The Nutcracker has long been one of the most delightful ways to discover the enchantment of ballet – and makes for a delicious seasonal treat for all the family.

Tchaikovsky’s much-loved music is matched to a magical adventure on Christmas Eve for Clara and her Nutcracker doll. Their journey to the Land of Sweets brings with it some of the most familiar of all ballet moments, such as the Dance of the Sugar Plum Fairy and the Waltz of the Flowers. Peter Wright’s production for The Royal Ballet keeps true to the spirit of this Russian ballet classic, with period details and dancing snowflakes. The many solo roles and ensembles put the world-class skills of the Company to the fore in this Christmas classic.

Approximate running time: 2 hours 30 minutes, including one interval.

Book Tickets

Monday 3 Dec 20187:20pm (LIVE VIA SATELLITE)

NT Live: Anthony & Cleopatra (12A)

Broadcast live from the National Theatre, Ralph Fiennes and Sophie Okonedo play Shakespeare’s famous fated couple in his great tragedy of politics, passion and power.

Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love. In a tragic fight between devotion and duty, obsession becomes a catalyst for war.

Director Simon Godwin returns to National Theatre Live screens with this hotly anticipated production, following broadcasts of Twelfth Night, Man and Superman and The Beaux’ Stratagem.

Book Tickets

Thursday 6 Dec 20187:00pm (LIVE VIA SATELLITE)

NT Live: I'm Not Running (12A)

I’m Not Running is an explosive new play by David Hare, premiering at the National Theatre and broadcast live to cinemas.

Pauline Gibson has spent her life as a doctor, the inspiring leader of a local health campaign. When she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics, she’s faced with an agonising decision.

What’s involved in sacrificing your private life and your piece of mind for somethingmore than a single issue? Does she dare?

Hare was recently described by The Washington Post as ‘the premiere political dramatist writing in English’. His other work includes Pravdaand Skylight, broadcast by National Theatre Live in 2014.

Book Tickets

Thursday 31 Jan 20197:00pm (LIVE VIA SATELLITE)